Friday, December 18, 2015

Composing Kandinsky at the Cary Visual Arts Ball



Many people who have seen my artwork, have seen this piece... "Composing Kandinsky".  





This painting means a lot to me.  It inspires me.  There is inspiration all around, and yet I display this painting because I am constantly inspired by it.  

I remember what influenced it's creation... and that's what I see when I look at it... it's me.  I don't mean literally, but everything that went into creating this painting helped to make me the artist I am.  

I painted it in college.  My life as a dual degree student was just that... a dual.  The only time my mind relaxed was when I went salsa dancing.  I didn't need to know the spanish language; I learned it by doing it.  Art and painting became the same when my professor and artist, Eric Lawing told me to stop trying and "just play with the paint".  This advice is invaluable.    

I'll never forget my art history teacher from the class that introduced me to Wassily Kandinsky telling us how she buys famous artwork instead of living room furniture and when her kids ask why they don't have a couch like their friends she says "it's because you have ART!"  

Wassily Kandinsky was the first Abstract Expressionist.  I learned about the subconscious mind, how turning off your brain and opening your senses allows you to live and create in a whole new way.  It's a spiritual experience.  Faith has always been a part of my life, and to grow in faith by trusting yourself... your subconscious... is freeing.  



According to Kandinsky:  

       
Lend your ears to music, open your eyes to painting, and... stop thinking!
Everything starts from a dot.
Each color lives by its mysterious life.
A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.
To create a work of art is to create the world.



I took what he said and watched a movie from his lifetime, well... I listened to a movie from his time, picking up on the similarities to my own lifetime.

Artwork is not just something pretty, not merely trying to create something out of nothing, or trying to recreate something that's already been created.  It's not just a tool used for advertising, but a connection to someone.  It's expression.  It's taking something inside of you and letting it teach you something. 

There is something remarkable about the ability to inspire yourself. I have been leaning on this painting as inspiration, and recently realized that I needed to let it go so that I can look within myself again for inspiration... 


So, to whomever raised the money for the Arts by bidding the highest price for this painting at the Cary Visual Arts Ball, I believe that you value artwork like my art history teacher, that you are inspired by this piece like I am, and that you will continue supporting and encouraging the Arts... Thank You.       





greinerstudio.com








 

Thursday, December 10, 2015

Grand Opening!



GreinerStudio Etsy Store is now OPEN!




We've loved selling artwork at shows and festivals and it's exciting to have email and phone requests for commissioned paintings, but we wanted to make it easier for you all to see what's available for purchase.  


You can now shop from greinerstudio.com by clicking on "Store" at the top of the homepage or by going to etsy.com and searching for greinerstudio.  


We'll continue posting about upcoming shows, festivals, and other fun things... Keep checking in with us!  Enjoy!     


Your purchases allow us to keep creating.  Thank you!  










Wednesday, December 9, 2015

What happened to the blank canvas!?

We know you're wondering what happened to the blank canvas and like we said in our last post...



                                     



...two four year old twins got to paint!


They kept peeking around our display walls to see what I had just started painting and their parents said all they want to do is paint... so I gave them each a brush.

It was fascinating to see their imaginations at work and to see how no two artists are the same. One kept layering more and more paint until there were layers of brown and the other drew different images, trying to connect them with the layers of brown.  


It was going to be an abstract painting, but I wanted to incorporate what they had done. This had become a collaborative painting.


                         


It's about imagination and child's play.    





We can all be looking at the same thing, but see something very different, which is great thing.








greinerstudio.com

Thursday, December 3, 2015

Durham Art Walk Holiday Market Success!

As you know from our last post, the Durham Art Walk Holiday Market was our first show as a team and was a great success in many ways!



A couple paintings will be Christmas presents... SSH!








Several young adults bought their first paintings... one woman exclaiming, "I can buy ART!" 











Newlyweds will be enjoying fun bird conversations for years to come...







We met and befriended many local artisans we hope to cross paths with again...



And two four year old twins got to paint!









We hope you share the blog posts you enjoy below and keep visiting greinerstudio.com.






Saturday, November 21, 2015

GreinerStudio at the Durham Art Walk Holiday Market

Embracing the holiday season, and releasing new work to the public, Amanda and Craig have joined dozens of fellow local artists, artisans, craftsmen and musicians in downtown Durham, North Carolina. Sponsored by the Durham Arts Council, the two day Holiday Market is featured across several venues November 21 - 22. From 10-5 on Saturday and 1-5 on Sunday, local art will be featured at the Durham Arts Council, Vega Metals, the Durham Armory and many more.


http://www.durhamartwalk.com/


What is even more exciting - this is our first show as a team. Combining photography and painting, both mediums are on display with new works by both Amanda and Craig. Welcome to the Durham Armory!




We are located at the Durham Armory at 220 Foster Street, and a special feature will be on display. Notice the blank canvas in the middle of the booth??? Come in person to watch Amanda at her craft and check back to the blog later to see the work in progress...

Wednesday, November 11, 2015

Sweet Potato Harvest is Coming!

Craig and I love to cook together, so we started our garden in hopes of being able to feed ourselves and then some... and it looks like the "and then some" is working out much faster than expected!  
 
We were buying sweet potatoes and baking our own fries and chips because they're just so good!  Seriously, if you like restaurant sweet potato fries that you have to pay at least a dollar more for, bake your own!  
 
I don't mean buying the frozen ones or bagged potato chips from the store... although that's a step towards healthier fries and chips.  I mean cut that dirty old sweet potato into strips (after giving it a good rinse), put them on a baking sheet, drizzle a little olive oil on top... maybe a little salt or pepper... and pop them in the oven until they're crispy enough or just the right amount of mushy for you.  They're 10 times better when you make them yourself. 
 
So let's get back to how the "and then some" is working out much faster than expected...
I was out, exploring my new area a few months ago, and saw a very sad sight at the local feed store.  There were shelves of dying plants marked down to $ .25 each.  I had know idea what they were and couldn't believe anyone would buy them, but when the lady at the register said they were sweet potatoes I immediately wanted to save them!  
 
I started digging through them, trying to see if any weren't totally black or moldy.  The lady said she didn't want them to be thrown away but she knew if they didn't sell that day, they were going in the trash.  
 
 

That's when I googled it... how to grow sweet potatoes.  The answer... in a trash can.  Ironic isn't it.



I scooped up all the bundles that had a little bit of green and said "I'll try growing them!".  I'm not sure if she thought it was hopeless or if she was just happy they had a chance... She gave them to me for free!  
 
I realized upon my return home, I didn't have a trash can that I could just drill holes in the bottom of... and still have a trash can for things like actual trash for the next few months. We'll call that an Amanda moment...  
 
So, my husband, being the genius problem solver that he is, came up with the idea to build a container about the same size as a trash can with the scrap lumber that we had.  We really weren't sure they'd make it and we didn't have that much scrap lumber, but we new we could get cheap fence boards a little warped, that would be perfect for making a taller container if and when they chose to grow... 


 
 

It's not the prettiest... but it is prettier than a trash can and worked great since they didn't all grow at the same pace and they need sunlight to grow.  We planted about 20 individuals and 7 survived!  With every rain, they took off!  They grew about a foot long each week. 
 
The trash can technique consists of a thick bottom layer of manure that the potatoes are started in and then when the vine grows, another layer of manure is added, burying the vine so that only a couple inches is visible.  You repeat this with manure or organic soil, like we did, for the life of the vine until it stops growing and the exposed vine and leaves turn brown.  That's when you know it's time to harvest!  
 
Ours were dying to begin with because planting season was over when I bought them... so it's no surprise ours weren't harvested in September like the majority of sweet potatoes... but we do have sweet potatoes to harvest!  
 
And we are pretty sure that we're going to be bringing the sweet potatoes for Thanksgiving and Christmas this year...
 
So, if you know any recipes... send them our way.  We'll probably be sharing some with you soon!
 
   






 Check it out: greinerstudio.com

Unbelievable Sweet Potato Harvest!

HAHAHA

HAHAHAHAHA

HA. HA. HA.

Seriously?!  

 

For those of you who have seen the movie How to Lose a Guy in 10 Days, this is like a How To in reverse... you know... a How NOT To... but I see it as a lesson learned and really funny!

Here is our container of strong, healthy sweet potatoes that turned brown and started dying like they're supposed to when ready to harvest:



It was about to burst at one point, so we tied it together... getting really excited about the onslaught of hundreds of potatoes... because there have to be lots of potatoes in there! 

 

Let the harvest begin!

 

My thoughts:  Get ready! They're going to come rolling down out of that hill of dirt like spider babies that have just hatched... 



   

... the pile of dirt just stood there.  


My thoughts:  Okay.  These are strong potatoes that are still attached to the vine so they aren't going to just roll out.  We have to knock that pile of dirt over and there they'll be.  

 

 

We pushed it to the ground!  

 

and lots of digging and laughter ensued...

HAHAHA!

HAHAHAHAHA

HA. HA. HA.

Seriously?! 


 


Our minds are racing:  What went wrong!?  We took care of them just like we were supposed to... they were growing like crazy...!
 
My thoughts:  Internet!? 

My problem solver of a husband finds:  Sweet potatoes need 150 days to grow... and they are supposed to be planted early enough so that they can be harvested right after the first frost, which kills the exposed vine.

My thoughts: We didn't really do anything wrong... We knew we were planting them late... Mother Nature just came a little early this year.  
 

 

Lesson learned:  

Things don't always turn out as planned... enjoy each moment, laugh, take what you learn, and keep trying.  Don't give up.   

 

 

It looks like we won't be bringing home grown sweet potatoes for the holidays this year...

but... We have some really good dirt and can definitely grow vines!
 
150 days... 150 days... 

We still have a chance!  The vines that were buried are still alive and it shouldn't frost again before the 150 day mark... they just need a little more time!?  

So of course... we transplanted them into mounds...




...Fingers crossed!






Check it out:  greinerstudio.com

 

 



Friday, November 6, 2015

How to Stretch a Canvas

Emerging artists... this one's for you!

If you have yet to learn how to stretch your own canvas, try it!  As an artist, your work isn't just about the subject matter, it's also about the materials you chose to use.  There are numerous options out there for supports but I'm going to show you the go to for a painter... canvas.

This canvas will be an 18"x 24".

To create it, you'll need a really good carpenter to make your stretcher bar frame.  Just kidding!  While cutting the stretcher bars themselves is an aspiration of mine and many artists, you can purchase different types of pre cut stretcher bars from art stores as well as online.

Check out the links provided to easily order products like the ones you see pictured.
     


You will need:
2 18 inch stretcher bars
2 24 inch stretcher bars

To make the frame, join the 18 inch stretcher bar and the 24 inch stretcher bar together by inserting the "tongue and groove" ends at a 90 degree angle with the rounded edge on what will be the outside of your frame as shown.

Add the remaining 18 inch stretcher bar to the open end of the 24 inch stretcher bar in the same way before adding the remaining 24 inch stretcher bar, which completes your rectangular frame.   
If yours doesn't look like a rectangle but it all fits together... perfect!  It should lay flat though.  If it doesn't, there may be a flaw in a stretcher bar or you may just need to flip one of the stretcher bars and put it back together.  When it's laying flat, make sure each interior corner of your frame is 90 degrees.  The easiest way to do so is to use the carpenter's speed square shown.  You can use a door frame or the corner of a table too but only if you know it's a 90 degree angle.  If you have to adjust, check the other angles again... they affect each other.

When you have 4 90 degree angles, use a craft staple gun to secure each corner as shown.  You can now move the frame around without losing your rectangular shape.



You don't need an expensive or heavy duty staple gun to do this... it's not a box that heavy furniture parts can come in.  With that said... for large canvas sizes, using thicker stretcher bars, creating a heavier frame may make you want to use a heavier duty craft staple gun, wood putty, and braces.         
For this frame, all we need to make the frame extra secure is 2 more staples in each corner as shown.  You will end up with 3 evenly spaced staples in each corner, holding it together. 

I am going to show an unprimed duck canvas being stretched, however you can do the same thing with primed duck canvas.  The difference being that the last step, applying gesso, will be optional for those using primed canvas.
Unroll your canvas so that the side you plan to paint on is touching the table and you are looking at what will be the back.  Place your frame on top.  The staples can face up or down, however I have found the staples are more secure if laid as shown.  You want to lift your canvas around the stretcher bar to see how much needs to be cut in order to fold over the wood without completely covering the wood.   I found this stretcher bar needed to be cut 1 1/2 inches beyond the frame as marked. 

 
With the frame centered on the cut canvas, there should be about 1 1/2 inches of canvas we can stretch surrounding it.  I recommend using canvas pliers to bring equal tension when you are stretching the canvas.

Gently lift the canvas at the center of one side securing it to the wood with a staple.  Now you can gently tug and lift the canvas on the opposite side of the frame.  To do this,  the canvas pliers handle should be moving toward the center of the canvas.  Secure it with a staple. 






Repeat this until your canvas appears as shown.     
Now you are ready to use your hand or the pliers to gently pull the canvas away from the center staple but toward the inside of your frame.  Secure it with a staple.  This is key to ending up with a tight, wrinkle free canvas.  If the number of wrinkles you see is growing, you'll have to remove staples and try again.  Removing staples weakens and can damage your canvas, so again, pull the canvas away from the center staple and towards the inside of your frame.  Always work from the center of each side. 
Here's a tip:  After putting a staple on each side of the center staple, with each staple about 2 or 3 inches apart, move to the opposite side of the frame and repeat until you have 4 sides that contain 3 staples each.

Make it look professional by keeping even space between your staples and making your staples go in the wood in the same direction.

Your canvas will look something like this and shouldn't have any wrinkles at this point!    


Okay you may want to take a break, but I say pat yourself on the back and get ready for the tricky part... wrapping the corners!

It's really not difficult, just pay attention.

Pick a corner and pull the canvas, with your left hand, toward the center.  Hold it down on the wood as shown.  You will end up with two pockets on each side.


With your right hand, insert your index finger in the top pocket as close to the corner as possible.  Now pinch the canvas with your right thumb pulling up toward the sky and laying it down along the stretcher bar under your left hand.  Hold it there. 



The goal is to create a very flat fold on each side of the corner.






Secure that fold with a staple, making sure that your finger is not stapled to frame as well!  Also, remember to avoid the split that still exists where the two stretcher bars come together. 

Now take your left index finger and try to get as close to the corner of the wood as possible before pinching the canvas with your thumb and pulling toward the sky.
Then lay that down along the stretcher bar to your right.  Hold it there.

 





Add two staples as shown and you did it!

Repeat this for the remaining three corners and you will have just stretched your first canvas!










This last step is optional for those using primed canvas and not optional for those using unprimed canvas.  Your canvas, if unprimed, will be looser at this point than if primed.  Paint will adhere better, the canvas support won't break down as fast, and you can apply more layers on top of the canvas if you apply a layer of gesso.  It's a primer.  I recommend Pro Art gesso as a good product for beginners.  

Make sure to apply a smooth, even layer with a flat bristle brush.  Two coats will probably be needed.


After applying the gesso, you'll notice that it tightens the canvas even more, which is why some artists prefer stretching unprimed canvas over primed, which is stiffer initially and therefore harder to stretch and stay tight on the frame.  Either way, you now have the knowledge and access to the tools you need to stretch a canvas and start painting! 






Interested in Art and Photography?  Take a look inside GreinerStudio

































Wednesday, September 16, 2015

Capture a Memory in Oil


 Would you or someone you know like an original painting in Amanda's style? 

She calls her style Realistic Abstract Expressionism... some are more realistic, some are more abstract, but every painting is expressive.


Contact Amanda with a brief message and picture -


that unforgettable view from a recent adventure...?
that trusty four legged friend...?

your crazy kids playing in the dirt...?
your hometown, or where you call home...?

or maybe you have another picture in mind...?






A painting you commission is a painting of your own memory!
Amanda wants to help you treasure and share that memory!


Each commissioned painting is oil paint on stretched canvas and is wired to hang.  

Oil paint is a slow drying medium and is affected by temperature, so allow 2 months for completion.  
Don't wait until the last minute ... Christmas is coming and commissions are in the works!  




Contact Amanda to make sure your painting can be completed in time for that special occasion!



Thursday, September 10, 2015

En Plein Air

To paint en plein air is to paint what is seen directly by the eye in the open air.  This expression shows the effect of natural light on objects and creates the atmosphere in which the painting is created.  The actual term "en plein air", developed in the mid-19th century, is French for "in the open air" and is known because of French Impressionists, such as Claude Monet (1840-1926) and Pierre-Auguste Renoir (1841-1919) among others.  

What many don't realize is that the movement of Impressionism came as a result of realist painters in Russia, known as the Wanderers. They painted rural scenes throughout Russia in the open air in order to raise social awareness for what was going on outside of the cities, such as poverty across the country, how beautiful nature itself is, and how strong a cohesive rural and urban society can be.  While the Russian elite did not embrace this movement, support and talent from Armenian, Ukrainian, and Latvian artists confirmed this small group of Russian artists weren't the only ones wanting to bring social awareness to what was going on within the country.    

Landscape painters generally using watercolors or oil pastels are those that practice en plein air as a form of artistic expression. Other art mediums, such as oil paints and inks, just to name a couple, can also be used for plein air painting.  They are simply not as common due to the medium being more difficult to transport and work with in a brief period of time. 




One must keep in mind before venturing out, that natural lighting and the outdoor atmosphere is constantly changing, which makes it difficult to complete a painting en plein air, especially in one sitting.  Knowledge of the medium being used is key, yet best learned through the use of it.  



Just remember that the natural light and changing atmosphere are what allow the viewer to feel like they are stepping inside the painting... this is what you will achieve without notice if it's your first time painting en plein air and what you will come to embrace more and more as you grow as a plein air painter.





En plein air, using india ink, a reed, and a natural, squirrel hair brush - Can you see how strong and majestic these two trees are off a barren lake shore?



See if you can pick out other plein air paintings in the Greiner Studio Galleries.




Wednesday, September 2, 2015

Two Words


Two words can be put together in many forms to define what we, and therefore this blog, strive to accomplish.


Those Two words - Art and Conservation

 

Art 
The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

Conservation
The action of conserving something, in particular: (1) Preservation, protection, or restoration of the natural environment, natural ecosystems, vegetation and wildlife. (2) Preservation, repair, and prevention of deterioration of archaeological, historical, and cultural sites and artifacts.”

These two words, often seen as different and therefore separate, are not that different after all. Art is one of many ways in which we conserve our humanity, express our culture for future generations or for cultures outside of our own. Literature, religion, history - all other forms; none more diverse in this preservation and expression than visual art. For this, throughout history, storied in literature, symbolic in religion - art is prized. 




But, what if we dive deeper... and dare to not stop there...

Grab a cup of coffee, a southern sweet tea, a cold glass of water - and settle in...


What if we open ourselves up to expanding our knowledge and break the definitions of these two words down even further...



Within conservation
An ecosystem includes vegetation and wildlife, as it is defined as
a biological community of interacting organisms and their physical environment“

While an artifact is
An object made by a human being, typically an item of cultural or historical interest.

To further define conservation:
Culture may be defined as
The customs, arts, social institutions, and achievements of a particular nation, people, or other social group

Institution carries one meaning of
something or someone firmly associated with a place or thing”

…and “the society, culture, and way of life of a particular area.”
is known as a civilization.



So why should anyone care about a long string of definitions? Where does this all lead us? 

Right back to those same two words - Art and Conservation


Painting, drawing, pottery, photography, sculpture, batik, music, dance - all artistic cultural expressions.  And in these expressions lie beauty. Cultures have expressed themselves for thousands of years through art, and the earliest cultures - often referred to as civilizations - have been defined as inhabitants of a given area, and those things firmly associated with that area. Historically, “those things” around which those civilizations formed were natural - a volcano, mountain, river, lake, valley, forest, wildlife migration - an ecosystem.

Those civilizations were drawn to these areas for many reasons. Potentially a source of nourishment, or spiritual significance, maybe shelter…possibly…beauty. And with these places, they lived in harmony and balance.

With that in mind…

Is the Creator of the natural world not the most visionary, most prolific, most lasting, grandest, and therefore, greatest artist of all, sharing with us both beauty and evoking emotion through all of our conscious and unconscious senses!?   Are these wonders of nature not institutions of cultural significance!?  Should these not be preserved and protected as we preserve and protect certain pieces of art and certain parts of our natural environment!?


The Mona Lisa
The Grand Canyon


The Sistine Chapel
The Redwoods


The Louvre
Yellowstone National Park


The Vatican
The National Parks System


Your son's or daughter's, niece's or nephew's, grandchild's or students' first experience with a crayon or marker that you so proudly display at work, or on your refrigerator, maybe in your car, or carry in your purse or wallet
The simple beauty of the natural world found in your  own back yard


All forms of art, great and small, here and afar.
Worthy of Conservation.


Those two words – Art and Conservation


Art
Conservation
Art Conservation
Conservation Art
 
...what we, and this blog, strive to accomplish.


Conservation Art


The visual  expression of beauty or emotion to promote the preservation, protection, restoration, repair and prevention of deterioration of the natural environment, ecosystems and natural institutions of culture.





Follow our Conservation Art at GreinerStudio.com 






Friday, August 28, 2015

Voting Opens Today!


Vote Railroad
Tracks on minted.

vote for me!

Vote for
The Alley on minted.

vote for me!

Vote for Coast
To Coast on minted.

vote for me!

Vote for
En trance on minted.

vote for me!

Vote for
Chair on minted.

vote for me!



I've loved their stationary and wedding invitations... especially the one Craig and I used for our own special day, but then I discovered minted. is selling fine art prints and I kind of freaked out.  I freaked out because I learned they are enabling artists and preserving the integrity of the artist's vision.  They have different competitions for independent artists to enter their unique work in hopes of connecting with other artists and sharing their work with customers, and although monetary prizes are awarded, the community decides how the artwork is rated.  This rating is validation for the artist.

All art and artists should be appreciated, but validation as an artist comes when you know people saw your work and selected it.  Something about your work made the viewer stop and think... appreciate, understand, question... there was a connection... even if only for a second.  Then to have your work purchased by someone... they probably have an even greater connection with the piece!

I'd like to reach more people across the world with my work, so I've entered the Minted x Domino Round 2 Art Challenge.  domino, a fresh interior design magazine, is looking for artwork from independent artists for their print edition.  You've yet to learn that Craig and I are quite passionate about interior design, so the possibility of being part of this is very exciting!

Voting opens today, so please vote for the artwork that would make your jaw drop if you saw it in a restaurant or you wish it was on your own walls... the one that makes your neck stretch to see more on the computer screen, or the one that makes you feel funny cause your heart's happier than a second ago.

I hope it's the work I've submitted!



Visit minted.com, select vote at the top and search by designer for Amanda Greiner, or  vote by clicking the small image at the top of this post.

 

see more events at GreinerStudio.com